The creative director, Ian Dallas, said that there were things that remain unclear even to him in the end. Something that is in line with the other two games in this entry, though is the way The Unfinished Swan's story is left in some ways up to interpretation. The game is beautiful and engaging, and its story is perplexing. Is this a happy ending? The score doesn’t make it seem so. At the end, once the player has successfully completed the final puzzle, gathering all five orbs and arranging the panels just so, an elder version of the game’s main character appears to be absorbed by the sun, which then becomes the eye of the dragon it seems as if we’ve been chasing from the very beginning. We chase a gorgeous dragon-monster, try to find normalcy in a war-torn city, see our character broken, humbled, and seemingly desperate as he travels desolate landscapes to a destination that remains unclear.
There’s a constant sense of searching, of struggle, and dissatisfaction, even though the player's achievements. Discussion of the theme of the game generates varied opinions, but what seems to be agreed upon is the general sense of sadness expressed throughout the gameplay. Others say that they have no idea what any of it means but that the experience was some of the most beautiful gameplay they’d ever had the opportunity to enjoy. Some people say it’s less of a game and more of an interactive painting. What that story is, however, is up for debate. Similarly, Gorogoa also manages to tell a story without a single word in the actual gameplay.